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Am I a sinner for missing this movie last year in the cinema when I actually did plan to watch it in the first place?


Sitting in the farther corner of a two-story coffee shop, not even a soul seems to sense the bits and bursts of different emotions tickling around my spot as I finished Sinners on my phone. I was initially planning to complete the movie later tonight, but the kick of matcha and blueberry together with the vegetarian salad I ordered encouraged me to plug my earphones into my phone.


I was more or less 15 minutes away from finishing the movie when I left it earlier because I needed to freshen up for my dental appointment. And here I am right now. Aside from brushing off a LANY song from my head and the voices of strangers catching up in the air, I am feeling a little guilty for leaving my drinks sweaty because I am getting occupied with how I can put my post-movie high into words on my notes app.


The clock just turned 7:38 pm and I am supposed to go home now as I need to feed Pino his dinner. But! But I need to let these emotions out of my system. I need to capitalize on this moment because I feel like, with a little nudge, I am capable of finishing a not-so review of Sinners.


But I am feeling a little cold. The aircon seems to send a shiver into my tummy and now I can feel the air moving inside and finding its way out to fart. Sinners is a good shit! I thought One Battle After Another was my best movie recently, but Sinners walked in so casually with a breeze that I immediately rated it 5 stars and tapped the heart on it on Letterboxd.


I don't know if it's because of the Friday air that put me in a clear mood and therefore made me see this movie. But no, this movie is just really good. The scene where Sammie started strumming his guitar, with his people circling around the juke joint waiting for him. And the sequence after that marked my that's-it moment, an early juncture of the movie that already piqued my interest and could potentially keep me seated until the last second of it.



The twins and how they speak captured me first. Or is it the charm of
Michael B. Jordan, who I once thought was the same as Michael Jordan? It was the clip of Nicki Minaj on an award show where she said something along the lines of, “Shout out to blah blah for my outfit tonight. And to Michael B. Jordan who will take it off tonight.” And I have seen several clips online where they named him the most beautiful man.

So seeing him in the movie in two bodies made me think they had someone who looked almost exactly identical to him, or that he just has a twin in real life. Then here's Sammie and his guitar breathing blue melodies behind his father's preaching. When he strummed his guitar and sang behind the moving wheels of his cousin, Stack, I felt a soul in his voice and that made me wonder why his father said demons would follow his music.



The scenes leading up to the night of the opening of the juke joint were so spectacular. The tickling of the piano on Slim's fingers, the bodies moving merrily around the newly bought sawmill, the stealing and meaningful glances between Sammie and Pearline, the grudge and longing of Mary towards Stack, the perfect night that everyone thought would be endless, only to be punctuated by the presence of some suspicious folks.


What a horror it is to be manipulated by your buried fears and have them used against you. Mary got the gold coins for Stack, but the moment they locked themselves in the room was when the joy of the night completely halted.


Music brings people together… and even the dead ones.


The guitar that made Sammie alive is truly what kept him alive.




The ending credits were perfect that they made my salad even tastier. This is what films do, especially the good ones. They make you enjoy and appreciate the little things around you. Damn, even the slices of red pepper tasted so sweet.


I got home half an hour ago as of writing. It is 9:33 pm now. I'm on the edge of the bed upstairs, feeling the softness of the mattress. Pino just got up as Mama went upstairs to hang some laundry. I haven't brushed my teeth yet but I am feeling little joys because I was finally able to write. It has been months.


It's good to be back.


Hope I can come back as often as I can. But I need to take a quick shower now.


TGIF!

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The first time I witnessed Death, it was on a random weekday. I was slouched against my grandmother’s well-worn wooden cabinet, TV colors flickering across my eyes. Mama was watching with me, just as absorbed as I was in a talk show whose name I can hardly remember now. I knew I had school that day, my hair was still wet, and I probably had about an hour or so left to get ready for my afternoon class.


And then, without warning, it all happened right before my eyes.


Mama rushed downstairs. The urgency in her footsteps sent a sudden wave of panic through my chest and I didn’t even know what was happening. The TV hosts kept blubbering their lines in the background. I glanced at the spot where Mama had been sitting moments ago, and a shiver ran through me when I realized how much emptier it looked. I was frightened and clueless, my ears throbbing as if trying to catch some hints from the earful murmurings of our neighborhood.


I don’t know exactly how I got my body to move, but in an instant, I was by our gate. My neighbors were there, yet they seemed unaware of me, as if I didn’t exist. I searched their faces, their moving mouths, but their voices were muffled. Despite the unwanted cacophonies, I managed to catch fragments of words, just enough for me to piece them together and regain my bearings.


Patay. 


Ngayon-ngayon lang. 


Tatay.


Doon sa kabilang bahay.


These were the words I caught in the air as I tried to breathe as normally as I could in that insane moment. I may be around eight or nine years old then, but I was already old enough to understand what those words meant. Then, I just found myself running so fast I could no longer feel my legs. I caught up to Mama, and her back was crying. She wasn’t exactly running, but her body moved so quickly that the people we passed blurred into a swoosh of color. I called for her to slow down, but she was somewhere else entirely.


The closer we got to my grandfather’s house, the heavier my heart grew. It stood taller than my grandmother’s hard-earned home, but the height only made it look awkward. Its walls were painted with negligence and damp, and the steep stairs looked slick. The smell inside was fishy, and I couldn’t remember the last time I had visited him. Their room was upstairs. Mama slipped from my mind for a moment when I saw my cousin at the bottom of the stairs with his friend. He was wiping his face with his white sando. He had likely heard the news before we did and had already gone there ahead of us.


Then, a loud series of whimpers echoed through the house. The sound was so raw and painful that I felt another pinch twisted my skin. It was the kind of pain that stays with you. Even now, I can still hear it whenever my memory drifts back to that moment.


When I went upstairs, I saw a tableau of crying women, my grandmother slumped limply on the floor, holding her former husband dearly with her trembling hands. I had always been familiar with the sounds she made: the sharp tsks of her tongue, the breathy psst between her teeth, even the weighty silence of her angry face. But that day, I heard a sound from her I had never known before. I had thought I would never hear her cry, because to me she was a warrior. I had long since accepted the impossibility of her tears, but seeing her shoulders shake from deep sobs felt so foreign that I could never have imagined her cry would sound like that… heartbreaking.


I think that was the first and last time I saw her cry.


While watching my grandmother, I caught a faint but lasting glimpse of my grandfather’s lifeless frame. I can still recall how halo-white he was. His skin held that unusual white stillness. His co-ords looked bleached white, and everything about him was so ethereal that he seemed to camouflage into the white bedding on the floor.


Just as my grandmother stood up, my mother appeared from nowhere. I had been so absorbed in everyone’s crying that I had forgotten who I was chasing when I left our house with the TV still on. The weight of her steps seemed to sink into the floor, so heavy with grief that she had to drag herself toward my grandfather. I thought he was already gone, but he was still hovering between life and death. Maybe, he had returned only to say farewell to his only daughter. With his eyes closed, he gathered what little life was left in him and whispered something to Mama. 


Then everything went completely silent. 


The next moment, Mama was crying so hard. So hard that, even now as I write this, I can’t help but swallow the tears rising in my throat just from remembering it.


I knew my grandfather was dying, and I knew that was why everyone was crying. As for me, I cried only because Mama was crying. My understanding of death back then was shallow. I knew that once you’re dead, you’re dead. What I didn’t know was the weight it leaves on those who remain.


My grandfather’s death didn’t steal away my mother’s light, but whenever I watched her closely, I could see the traces of his death still resting on her. I saw it in the quiet that followed her laughter, in the way her mind traveled somewhere far while she was scrubbing fabric between her hands, even in the stillness as she waited for hot oil to settle when she was cooking something.


I thought that would be the last time — until ten years later, I experienced Death for the second time, this time through my grandmother on my father’s side.


I also had school that day, but only in the afternoon. That morning, I woke to a sound— the kind that pulls you out of sleep before you even know what it is. It was my father’s voice, restrained and trembling, carrying a grief I had never heard from him before. 


Like my grandmother on my mother’s side, I was only familiar with certain sounds from my father — his uncharacteristic sneeze, the crisp whuff of his shirt before he put it on for work, the rhythmic knock of his knuckles on the door, and the steady, almost melodic thud of his hammering. That’s why hearing him cry for the first time felt so strange, like the sound didn’t belong to him at all.


I wasn’t as close to my grandmother on my father’s side as I was to my mother’s. So, even though it came as a shock to hear that she had passed away, I wasn’t as devastated as I thought I would be. Maybe it was because we grew up with so little of her presence. She lived in Davao, far away from us, so it was understandable that we never had the chance to bond as grandmother and granddaughter. We only saw her a handful of times in her lifetime, mostly during her rare vacations to visit us.


Still, the few memories I have of her are fleeting but sweet. I remember her easy yet demure smile, her lovely and soothing voice. Whenever she and Papa sang karaoke, she would always sing “I Have a Dream.” I never sang it myself, yet I memorized the lyrics just from hearing her sing it so often. Even now, whenever I hear that song, it’s her I think of.


Just like how I felt my grandfather’s loss through Mama, I only felt hers through Papa. I guess seeing people out of their usual and familiar temperament, in my parents’ case at their most vulnerable, was something truly heartbreaking to witness as a child. I never used to see them break down, so whenever I did, in those rare moments, I saw them as children—small and unshielded.


After Papa came home, I never saw him cry again. It was as if nothing had happened. We were never close, so I couldn’t begin to guess how he carried his grief. All I know is he carried it in silence. And I can’t help but wonder if he still does.



Then, four years ago, Death visited me for the third time—through Nanay.



She was the grandparent I held closest to my heart. I grew up with her as she grew older with me. I’d met Death twice before hers, but never once did I imagine that one day it would be her I’d be grieving for.



I think it was Nanay's warrior-like demeanor that gave me the otherworldly confidence that she would grow older yet remain the same. I only had one passing thought about her death when I was a kid, when I asked Mama, very innocently, when Nanay would pass away. After that, the thought never came to me again. It slipped so far from my mind that I began to believe it would never happen. So when Nanay became bedridden from senility, I thought it was just a phase and that she would recover in time. 



But that time never came. What did come was her sudden passing on the 28th of April. That night, the neighborhood fell flat, only punctuated with the muffled echoes of our labored breathings. I tried to revive her with gentle urgency, hoping that my clumsy, diffident attempt could buy me a sliver of her life, just enough for her eyes to stay on me even for that thin shred of a moment. 



Her death devastated me the most because I didn’t experience it through someone else’s grief, I went through it alone, inside myself. Then, the silence became the only sound left in me. I thought that grieving for her meant hushing the remaining life in me. I felt like if I smiled too soon, or allowed myself the tiniest flicker of joy, it would mean that I had already forgotten her. That it would mean betraying what I lost and what I would miss, betraying the weight of her passing. So, I choreographed her loss with muted grief, holding it close, afraid to spill it out loud. 



Little did I know, what I was doing was not grieving but imprisoning my capacity to honor what I would miss and praise what I lost—which was her.



I read a short book called The Smell of Rain on Dust by Martín Prechtel. It was a tough read for someone who has just gotten back into reading. It was difficult because it was poetic and philosophical, but mostly because it spoke the truth—and it spoke to me directly. This book helped me start making peace with myself (no, not completely yet). But it helped me forgive the parts of myself that claimed responsibility for everything that happened in my life, and in someone else’s. I learned that grief is not silence, but a sound—a sound of being alive.


They say that when someone dies, a big part of the people they leave behind also dies with them. But for me, it was the other way around. I felt like Nanay left a big part of herself with me, and I carried it with guilt. It was like this automatic reminder every time I’d feel even a tiny spark of joy—or in other words, when I felt like I was “not grieving.” I thought grieving for her meant burying myself in the deepest pit of loneliness, keeping the same grief we felt when she died and carrying it forever. I thought holding on to that loss was how we immortalized her, how we gave her some kind of second life. But that book made me realize I wasn’t grieving. I was punishing myself for her—someone who wouldn’t have wanted that if she were still here. The book says, “To not grieve is a violence to our own hearts and especially to the dead,” and maybe that was true. I wasn’t really grieving because I was hurting myself, and that wasn’t what grief was meant to be.


Grieving is giving back to the life we had with our loved ones. It is celebrating the life we still have ahead, knowing we have eternity to miss them and remember that we once loved. If we do not grieve, we stop remembering them. Missing them is our way of staying connected to them and their memories—whether those memories were joyful, sad, angry, or painful—because all of that is part of who they were.


Everywhere at home reminds me of Nanay. It still stings, but I keep trying to tell myself that the things that make me sad are the same things that keep her near. Maybe I am hurting because I loved her so much. Maybe I have lost so much because I loved her so much. And this pain reminds me that, despite my unwillingness to believe it, my grief for her means I am still capable of loving.

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Waiting for your menstruation to come can mean, for the most part, enduring that icky feeling down there. Like something’s on its way and you can literally feel it... but then it just doesn’t come. That’s exactly how I feel right now. I was supposed to get my period by the end of June. It’s already July, and still, nothing.

I’ve been going through all sorts of insanity and painful cramps this week, like my uterus is mocking me. Cramping as if I’m already bleeding. The familiar tangle of something in my abdomen has been killing me for days, and I just want to get it over with. This stage of the menstrual cycle is the worst. It’s not just gross, it also comes with this weird, inexplicable disgust at my own body. And don’t even get me started on how emotional I’ve been. I AM GETTING SO EMOTIONAL.

So, after pausing it for days, I finally decided to continue watching Nomadland.

On a normal day, I probably would’ve called it just another melancholic, slow-moving film. But today is not a normal day. My abdomen hurts. I’m not even sure if it’s cramps or just hunger. I woke up groggy from a girls’ night out, and there was nothing left to eat. I spent most of the early afternoon turning the house upside down, trying to clean and organize everything. I was tired... and famished... or maybe just period-ing.

After a not-so-satisfying lunch, I lay down and hit play on Nomadland.

Honestly, the film as a whole isn’t really a tearjerker. It’s flat in some places, kind of boring, maybe even forgettable. But when Dave decided to leave his nomadic life to be with his son, Fern was left alone. Then it hit me. They were never together anyway. Just two people living in RVs. Houseless, not homeless — Fern once said that to a girl. I remember.

And when Dave left, we saw Fern in her quiet moments. She was eating alone in some deserted fast food place, sitting by herself in a near-empty arcade, standing beside a life-sized dinosaur model. And weirdly, I saw myself in her. That’s when the tears started.

I imagined myself older. Face wrinkled. Maybe with shorter hair, because that’s apparently the universal haircut when you reach a certain age. I wondered if I’d even live that long. People tell me I’m still young, that there’s a whole life ahead of me. But during moments like this, I can’t help but picture a future that makes me feel... lonely. Not excited. Just afraid.

Afraid of losing things — my youth and all its what-ifs, the people who shaped me, the places that felt like home. Pino. I can’t even imagine what life would be like without him.

And truthfully, I don’t think I have a life yet. Every day I regret not being bold enough to explore the world. I’m afraid to love because I’m terrified of what I could lose.

Watching Fern at 61, alone, got me thinking. What if that’s me? Would I still enjoy eating alone in public? Would I still feel like myself, even when no one else notices that I was once a 26-year-old who wandered around malls on weekends?

Would I still watch movies alone if my eyesight’s worse and I can barely hear what’s happening?

Would I still come home to Pino? Will he still be there, wagging his tail like mad, standing on two legs just to reach my face? Would my parents still be home? Would they still nod at me when I enter the door?

What about my sisters? They’ll always be two and six years younger than me. Would they already be married, living somewhere else, and watching their own lives unfold while occasionally thinking about our younger days?

And Pino… oh, Pino. I don’t know how I’d ever be ready to say goodbye. I think you’ll be my first real heartbreak, but I also know you’ll always be my greatest love.

These are the thoughts I had while watching Nomadland.

What are we supposed to do when the people and things we love have to go?

This isn’t a typical film review. It’s more like a messy reflection. Despite not loving the film, it still managed to dig deep and pull something out of me.

Nomadland is quiet, melancholic. On a usual day, I’d probably stick with it, maybe complain a little, but I’d finish it. That’s what I like about slow films anyway. They give your mind space to drift. You can zone out and not feel guilty. You don’t need to give your whole attention. It waits for you to return, like a gentle tap on the shoulder.

Getting old is scary. But what’s scarier is watching the things you love slowly disappear. How do you keep going, knowing that time will take them, one by one, right in front of you?

I saw it happen to my grandmother. Time slowly took her — her fire, her memory, her warmth. The warmth that once scared us as kids, but also made us feel so loved. And then one day, she was just… gone.

Once we grow older, do we stop dreaming?

Fern, at 61, hadn’t figured out her life yet. Is that okay? Or should that scare me? Or maybe that’s just what life is. An endless puzzle. A mystery we’re not meant to solve. Just something we keep exploring. Maybe the questions aren’t even there for answers. Maybe they’re just there to keep us moving, convincing us that there’s something to figure out.

Anyway, I think I’ve started to ramble. Never mind.

This is my blog after all. My little corner for nonsense and whateverish.

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Hi, I'm Aetovahteia

Hi, I'm Aetovahteia
Hi, I’m Aetovahteia, an emotionally constipated aspiring writer with a quirky talent for turning blank pages into... still blank pages when I’m supposed to be writing.

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