Last year was a real struggle for me. I couldn’t manage to put together my year-end countdown of favorite songs. Workload consumed my days, leaving no room for my beloved music. It felt like a crime to indulge in leisure during office hours. I constantly reminded myself to stay focused and finish on time, fearing another late night at the desk.
So, that’s the backstory of my 2022 song list failure.
But here we are now, a tad early for this entry. Still, I’ve adopted a rebranded motto: “better late than never.” After all, it’s better to be ahead of schedule than perpetually behind, right?
Enough blubbering—let’s dive into my Top 5 Songs of 2023:
1. I GUESS THIS IS JUST ANOTHER SONG 'BOUT TOKYO?
2. RUN AWAY, BUT WE'RE RUNNING IN CIRCLES
3. GUESS I WON'T EVER MIND CRISPING UP ON YOUR BACKBURNER
I'm a la la lost you and lowkey baby.
I know some of NIKI’s better-known songs, as I mentioned earlier, but not those that truly solidified her artistry in the music arena.
During my initial listens to the ‘Nicole’ album, I didn’t pay much attention to the lyrics, honestly. The song titles certainly scream heartbreak, emotive longing, and taking chances. However, I was too immersed in her voice. It’s simple—a good kind of simple, I must say—but also very familiar. It’s a voice you’ve heard somewhere, but not just anywhere. Personally, it’s her voice that makes her relatable to me. It’s affable, light, and vivid. It evokes a reachable imagination and a feeling of something closer to home.
It was NIKI who introduced the term ‘backburner’ to me. Before that, I had already listened to High School in Jakarta, Take A Chance with Me, Before, and even Oceans and Engines. All of those were great listens, even earning the coveted LSS (Last Song Syndrome) certification. However, what intrigued me the most about ‘Backburner’ was the curiosity it sparked with its title. What was it all about? Without resorting to Google, I delved into the lyrics, connecting the dots to grasp its essence.
My loose conclusion was that perhaps it’s about being a “rebound”. Still, I recognize that it’s not something I can personally relate to. Yet, as I mentioned earlier, NIKI’s voice is simple in a welcoming way. It’s as if this song beckons you whenever you’re ready to understand it. She’ll sing-song the words to you slowly, enunciating them with patience.
If I had to pick a favorite from her album, it would undoubtedly be ‘Backburner’. For some reason, listening to this song leaves me feeling heartbroken—much like how Taylor Swift’s ‘All Too Well’ shattered me. However, here, NIKI sounds more hopeful than reminiscent. It’s a foolish hope, directed toward someone who can only want her when it's convenient.
4. WHEN THE BONES ARE GOOD, THE REST DON'T MATTER
THE BONES - MARREN MORRIES, HOZIER
Honestly, I enjoy this song just as it is. Well, a big part of that enjoyment stems from Hozier’s biblical voice—listening to him feels like experiencing an audio version of the Holy Bible. But there’s another reason: I genuinely revel in the vibe of the song.
Weird as it may seem, that’s how the song affects me. It allows me to picture myself in an open car, wind tousling my hair, and I’m singing the chorus with a carefree abandon:
[When the bones are good, the rest don't matter
Yeah, the paint could peel, the glass could shatter
Let it break, 'cause you and I remain the same
When there ain't a crack in the foundation
Baby, I know any storm we're facing will
Blow right over while we stay put
The house don't fall when the bones are good
When the bones are good]
Then Hozier enters, transforming the song into a celestial hymn. The heavens fill with horn-whistled cherubs and feathery confetti. And when both voices converge in the chorus, everything feels right, and the rest becomes inconsequential.
And what happens when the bones are good, you ask?
5. WHY CAN'T WE BE FRIENDS, WHEN WE ARE LOVERS?
Sincerity Is Scary has remained my steadfast favorite throughout the entire year. It’s my go-to song when I couldn't think of any songs to lull me when the afternoon boredom strikes in. The track offers an effortless listening experience and serves as a catalyst for my daydreams, particularly when Matt launches into the chorus with practiced ease:
[Why can't we be friends, when we are lovers?Instead of calling me out, you should be pulling me in
I've just got one more thing to say]